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Renowned musician and producer Joe Jackson unveils his latest artistic endeavour 'What A Racket!' – a new album reviving the songs of enigmatic early 20th-century English Music Hall artist Max Champion.

Music Hall (along with its American cousin, Vaudeville) was the first form of mass entertainment created by the working classes. Its raw beginnings were in the pubs and streets of mid-19th century London, and while never really considered ‘respectable’, it was, by 1900, performed in opulent theatres to huge audiences drawn from all walks of life. Prostitutes and princes alike sang along with superstar performers, many of whom are now legendary, and whose songs are still known in the UK.

Those songs, depicting everyday life in the Victorian and Edwardian eras, were most often humorous or satirical, though some were sentimental or patriotic, and others dealt with darker themes such as jealousy and murder. Many were also blatantly sexual, though always expressed in clever euphemisms and double entendres.

One of the most fascinating of the later Music Hall performers was Max Champion. Little is known about him, except that he was born in 1882 in London’s East End, and is thought to have been related to the great Victorian entertainer Harry Champion. As an up-and-coming performer he shared the stage with big stars such as Gus Ellen and Vesta Tilley, but his career (much like the Music Hall era itself) was cut short by the First World War, and his songs faded into obscurity. That is, until 2014, when Max Championsheet music started to surface: first in Malta, then in England, and, intriguingly, in Belgium, where Max probably met his end in the trenches. By 2019, enough songs had been recovered for Joe Jackson to resurrect them with a 12-piece orchestra.

'What A Racket!' presents eleven of Max Champion’s songs for the first time in more than a century. According to producer Joe Jackson, ‘These were wonderful songs in their time, but they’re surprisingly modern, too. Sometimes it’s almost as if Max is speaking, from his London of the early 20th century, directly to us in the early 21st.’

Renowned musician and producer Joe Jackson unveils his latest artistic endeavour 'What A Racket!' – a new album reviving the songs of enigmatic early 20th-century English Music Hall artist Max Champion.

Music Hall (along with its American cousin, Vaudeville) was the first form of mass entertainment created by the working classes. Its raw beginnings were in the pubs and streets of mid-19th century London, and while never really considered ‘respectable’, it was, by 1900, performed in opulent theatres to huge audiences drawn from all walks of life. Prostitutes and princes alike sang along with superstar performers, many of whom are now legendary, and whose songs are still known in the UK.

Those songs, depicting everyday life in the Victorian and Edwardian eras, were most often humorous or satirical, though some were sentimental or patriotic, and others dealt with darker themes such as jealousy and murder. Many were also blatantly sexual, though always expressed in clever euphemisms and double entendres.

One of the most fascinating of the later Music Hall performers was Max Champion. Little is known about him, except that he was born in 1882 in London’s East End, and is thought to have been related to the great Victorian entertainer Harry Champion. As an up-and-coming performer he shared the stage with big stars such as Gus Ellen and Vesta Tilley, but his career (much like the Music Hall era itself) was cut short by the First World War, and his songs faded into obscurity. That is, until 2014, when Max Championsheet music started to surface: first in Malta, then in England, and, intriguingly, in Belgium, where Max probably met his end in the trenches. By 2019, enough songs had been recovered for Joe Jackson to resurrect them with a 12-piece orchestra.

'What A Racket!' presents eleven of Max Champion’s songs for the first time in more than a century. According to producer Joe Jackson, ‘These were wonderful songs in their time, but they’re surprisingly modern, too. Sometimes it’s almost as if Max is speaking, from his London of the early 20th century, directly to us in the early 21st.’

4029759189893

Details

Format: Vinyl
Label: EARMUSIC
Rel. Date: 11/24/2023
UPC: 4029759189893

Mr. Joe Jackson presents Max Champion in 'What A Racket!' [LP]
Artist: Max Champion
Format: Vinyl
New: Not in stock
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Formats and Editions

DISC: 1

1. (Overture): Why, Why, Why?
2. The Sporting Life
3. Dear Old Mum - A London-Irish Lament.
4. Monty Mundy (Is Maltese)!
5. The Shades Of Night.
6. What A Racket!
7. The Bishop And The Actress.
8. Think Of The Show! - A Thespian's Lament.
9. Never So Nice In The Morning
10. Health & Safety
11. Worse Things Happen At Sea

More Info:

Renowned musician and producer Joe Jackson unveils his latest artistic endeavour 'What A Racket!' – a new album reviving the songs of enigmatic early 20th-century English Music Hall artist Max Champion.

Music Hall (along with its American cousin, Vaudeville) was the first form of mass entertainment created by the working classes. Its raw beginnings were in the pubs and streets of mid-19th century London, and while never really considered ‘respectable’, it was, by 1900, performed in opulent theatres to huge audiences drawn from all walks of life. Prostitutes and princes alike sang along with superstar performers, many of whom are now legendary, and whose songs are still known in the UK.

Those songs, depicting everyday life in the Victorian and Edwardian eras, were most often humorous or satirical, though some were sentimental or patriotic, and others dealt with darker themes such as jealousy and murder. Many were also blatantly sexual, though always expressed in clever euphemisms and double entendres.

One of the most fascinating of the later Music Hall performers was Max Champion. Little is known about him, except that he was born in 1882 in London’s East End, and is thought to have been related to the great Victorian entertainer Harry Champion. As an up-and-coming performer he shared the stage with big stars such as Gus Ellen and Vesta Tilley, but his career (much like the Music Hall era itself) was cut short by the First World War, and his songs faded into obscurity. That is, until 2014, when Max Championsheet music started to surface: first in Malta, then in England, and, intriguingly, in Belgium, where Max probably met his end in the trenches. By 2019, enough songs had been recovered for Joe Jackson to resurrect them with a 12-piece orchestra.

'What A Racket!' presents eleven of Max Champion’s songs for the first time in more than a century. According to producer Joe Jackson, ‘These were wonderful songs in their time, but they’re surprisingly modern, too. Sometimes it’s almost as if Max is speaking, from his London of the early 20th century, directly to us in the early 21st.’

        
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